Mozart String Quartets K428, 465, 387
The sincerest form of flattery. When he dedicated a set of six quartets to Haydn in 1785, Mozart was acknowledging the latter’s supremacy in this difficult genre, admitting that they had cost him ‘a long and laborious study’. But the effort was worthwhile: inspired by the older composer’s masterpieces, Mozart did more than just imitate him; he integrated Haydn’s innovations into his own style, thereby producing a new milestone of Viennese Classicism.
“They launch into every movement with tremendous relish, on such a tide of rich, deep string tone that they could be playing Brahms or Dvořák, and it comes with equally full-blooded, expressive inflections."
The Guardian - 4 September 2014
Cuarteto Casals will perform this repertoire at the Wigmore Hall on 20th & 21st September.
New releases at one glance!
The arrangements of Scottish ‘national melodies’ (nearly 400 in all) are among the little-known gems of Haydn’s last years. Already an acknowledged master of the piano trio medium (as is proved by the inspired Trio Hob. XV:27 also included here), Haydn turned his accompaniments to these songs into miniature chamber music masterpieces brimming with vigor and wit. This recording featuring tenor Werner Güra offers a selection of these works that covers a wide expressive range, from tender love songs to songs rich with sarcastic folk humor.view
Born in Innsbruck in 1963, Thomas Larcher grew up in Austrian Tyrol. He studied composition and piano in Vienna and began his musical career as an acclaimed piano soloist. For some years now, Larcher has dedicated himself primarily to composing and is today considered one of the leading composers of contemporary classical music in Austria. Larcher’s sound world is both original and captivating in its fusion of contemplative harmonies with innovative performance techniques. Written for and performed by tenor Mark Padmore, A Padmore Cycle features the composer at the keyboard. Works for solo piano performed by Tamara Stefanovich round out this program of first recordingsview
'My Favorite Dowland'
Now revered as a titan of the lute and one of today's pre-eminent early music scholars, it may come as a surprise that Paul O'Dette began his musical career playing electric guitar in a rock band in Columbus, Ohio. After exploring guitar transcriptions of lute music he opted to focus solely on the lute and music of the Renaissance and Baroque periods. In addition to a catalog of more than 120 recordings, O'Dette has garnered five GRAMMY® nominations and numerous other awards. The music of John Dowland has long been one of O'Dette's specialties. This selection presents excerpts from his recording of Dowland's complete music for lute for harmonia mundi.view