From the youthful Concerto no.6 (1776) to the almost testamentary Concerto no.25 (1786), Mozart’s style underwent considerable evolution. In ten years, the young prodigy gave way to a master fully aware that he was opening up new horizons for the genre. With this fourth album in their series, Kristian Bezuidenhout and the Freiburger Barockorchester continue their exploration of a corpus visited so many times before; but with them, we have the impression we are rediscovering each note as if it were ‘the first time’.
Piano Concerto No. 6 K. 238
B-flat major / Si bémol majeur / B-Dur
· I. Allegro aperto (6'27)
· II. Andante un poco adagio (5'39)
· III. Rondeau. Allegro (7'40)
(Cadenzas: Mozart; Eingänge: Kristian Bezuidenhout)Piano Concerto No. 25 K. 503
C major / Do majeur / C-Dur
· I. Allegro maestoso (Cadenza: Kristian Bezuidenhout) (14'14)
· II. Andante (7'14)
· III. Allegretto (8'46)
