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JOHANN SEBASTIAN BACH

The Complete Works for Keyboard #5, "Weimar: Toccatas & Fugues"

Benjamin Alard
3h04
3 CD
HMM902463.65
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With this volume 5, Benjamin Alard closes the trilogy dedicated to the Weimar period. Here we reach the toccatas, preludes, fantasies and fugues that show the extent to which Bach now mastered French and Italian influences, only to emancipate himself from them and compose in complete freedom. An unexpected instrument makes its first appearance in this complete recording played on the finest historical keyboards: the clavichord, perfectly at home alongside the organ and the harpsichord.

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Contents


JOHANN SEBASTIAN BACH [1685-1750]
· Toccata in D minor BWV 565
Ré mineur/d-Moll (7'38)
· 'Wo Gott der Herr nicht bei uns hält' BWV 1128 (Chorale Prelude) (5'10)
· 'Liebster Jesu, wird sind hier' BWV 731 (Chorale Prelude) (1'53)
· 'Liebster Jesu, wird sind hier' BWV 730 (Chorale Prelude) (1'17)
· Prelude and fugue in C major BWV 545a (early version: choral & 4 variations)
Do majeur / C-Dur (5'23)
· 'Jesu, meine Freude' BWV 713 (Chorale Prelude) (4'58)
· 'Christus, der uns selig macht' BWV 747 (Chorale Prelude) (3'58)
· 'Herzlich tut mich verlangen' BWV 727 (Chorale Prelude) (1'45)
· 'Liebster Jesu, wird sind hier' BWV 706 (Chorale Prelude) (2'13)
· Prelude and fugue in A minor BWV 543 (early version BWV 543/1a for the Prelude)
La mineur/a-Moll (9'04)
· Fantasia super 'Christ lag in Todesbanden' BWV 695 (3'28)
· Trio in D minor BWV 528/2a (early version)
Ré mineur/d-Moll (4'25)
· Toccata and fugue in F major BWV 540
Fa majeur/F-Dur (13'16)


· Toccata in C minor BWV 911
Do mineur/c-Moll (11'03)
· Prelude and fugue in A major BWV 536a
La majeur/A-Dur (6'50)
· Fantasia and fugue in A minor BWV 904
La mineur/a-Moll (7'57)
· Toccata in F-sharp minor BWV 910
Fa dièse mineur/fis-Moll (11'24)
· 'Sei gegrüsset, Jesu gütig' BWV 768 (Chorale Partita) (10'24)
· Toccata and fugue in D minor BWV 538
Ré mineur/d-Moll (12'40)


· Toccata in G major BWV 916
Sol majeur/G-Dur (8'51)
Concerto in G minor BWV 985
Sol mineur/g-Moll
After Violin Concerto by Georg Philipp Telemann

· I. Allegro (2'54)
· II. Adagio (2'02)
· III. Allegro (2'16)
· Nun komm, der Heiden Heiland BWV 699 (Fughetta) (1'12)
· Vom Himmel hoch, da komm ich her BWV 701 (Fughetta) (1'14)
· Gelobet seist du, Jesu Christ BWV 697 (Fughetta) (0'58)
· Das Jesulein soll doch mein Trost BWV 702 (Fughetta) (1'45)
· Gottes Sohn ist kommen BWV 703 (Fughetta) (0'42)
· Lob sei dem allmächtigen Gott BWV 704 (Fughetta) (0'55)
· Christum wir sollen loben schon BWV 696 (Fughetta) (1'20)
· Herr Christ, der einig Gottes Sohn BWV 698 (Fughetta) (1'15)
Concerto in B flat major BWV 982
Si bémol majeur/B-Dur
After Johann Ernst of Saxe-Weimar's Violin Concerto, op.1 no.1

· I. Allegro (2'24)
· II. Adagio - Allegro (3'45)
· III.Allegro (1'54)
Concerto in D minor BWV 987
Ré mineur/d-Moll
After Johann Ernst of Saxe-Weimar's Concerto, op.1 no.4

· I. Adagio - Presto - Adagio - Presto - Grave (2'05)
· II. Un poco allegro (2'19)
· III. Adagio (0'30)
· IV. Vivace (1'23)
· Gelobet seist du, Jesu Christ BWV 722 (Passaggio Chorale) (1'08)
· Lobt Gott, ihr Christen, allzugleich BWV 732 (Passaggio Chorale) (1'10)
· In dulci jubilo BWV 729 (Passaggio Chorale) (2'23)
· Vom Himmel hoch, da komm ich her BWV 738a (early version) (Passaggio Chorale) (1'01)
· Prelude and fugue in A minor BWV 895
La mineur/a-Moll (3'05)
Concerto in C minor BWV 981
Do mineur/c-Moll
After Benedetto Marcello's Concerto, op.1 no.2

· I. Adagio (2'00)
· II. Vivace (2'06)
· III. Adagio (2'04)
· IV. Prestissimo (5'08)

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