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Grands Motets

La Chapelle Royale, Philippe Herreweghe
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    At the end of the Baroque era Rameau’s sacred music was in perfect conformity with the criteria of expressive decorum in religious music… And yet, here everything is expressed “with an inner intensity quite foreign to the evolution of music in the age of Enlightenment”. (J. Lejeune)

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    In convertendo · Récit In convertendo (2'46) · Chœur Tunc repletum est (3'30) · Duo Magnificavit Dominus (3'49) · Récit & chœur Laudate nomen Dei (6'34) · Trio Qui seminant (2'32) · Chœur Euntes ibant et flebant (4'59) Quam dilecta · Air Quam dilecta (3'27) · Chœur Cor meum et caro mea (2'54) · Air Et enim passer invenit (3'05) · Trio Altaria tua (1'50) · Récit & chœur Beati qui habitant (2'59) · Air Domine, Deus virtutum (2'53) · Chœur Domine virtutum (2'43) · Laboravi (2'33)

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