Wolfgang Rihm has not usurped the immense reputation he enjoys in contemporary artistic life. The works of this worthy heir to the German musical tradition invariably oscillate between monumentality – immutable blocks of sound – and ethereal movement – instrumental or vocal lines opening towards the infinite. His choral music is characterised by a syncretism that blends the influences of different periods, which he places at the service of a transcendence and a poetic and philosophical meditation of which he alone has the secret.
WOLFGANG RIHM
Sieben Passions-Texte
für sechs Stimmen (2001-2006)
· I. Tristis est anima mea (2'38)
· II. Ecce vidimus eum (4'19)
· III. Velum templi scissum est (3'36)
· IV. Tenebrae factae sunt (5'33)
· V. Caligaverunt oculi mei (4'29)
· VI. Recessit pastor noster (2'50)
· VII. Aestimatus sum (4'46)
· Astralis ("Über die Linie" III)
für kleinen Chor, Violoncello und 2 Pauken (2001) (29'29)
Fragmenta passionis
Fünf Motetten für gemischten Chor a cappella (1968)
· I. Da verliessen ihn (1'20)
· II. Da schrien alle (2'46)
· III. Vater, vergib ihnen (1'27)
· IV. Jesus schrie nochmals (1'35)
· V. Wahrhaftig dieser war Gottes Sohn (2'52)
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