Italian Madrigals
The apprenticeship of Heinrich Schütz.
The nineteen madrigals Heinrich Schütz published in Venice in 1611at the age of twenty-six occupy a fundamental position in his career aswell as in the history of music. For it was in Italy that the father ofGerman baroque music learned his craft under the living god of Venetianpolyphony, Giovanni Gabrieli. Not only did the pupil end up byexcelling the master, but these Italian madrigals also formed the solidfoundation of all sacred music of the future, since they possessed inembryo all the qualities of the composer's creative genius.
This title was released for the first time in 1999.
Artists
- Cantus Cölln
- Konrad JunghänelConductor
Composers
Contents
HEINRICH SCHÜTZ [1585-1672]
· Prima parte: O primavera, SWV 1 (3'25)
· Seconda parte: O dolcezze amarissime, SWV 2 (2'30)
· Selve beate, SWV 3 (3'00)
· Alma afflita, SWV 4 (2'56)
· Così morir debb'io, SWV 5 (3'04)
· D'orrida selce alpina, SWV 6 (3'54)
· Ride la primavera, SWV 7 (3'25)
· Fuggi o mio core, SWV 8 (2'45)
· Feritevi, ferite, SWV 9 (3'12)
· Fiamma ch'allacia, SWV 10 (2'24)
· Quella dama son io, SWV 11 (2'23)
· Mi saluta costei, SWV 12 (3'05)
· Io moro, eccho ch'io moro, SWV 13 (3'18)
· Sospir che del bel petto, SWV 14 (3'07)
· Dunque addio, SWV 15 (3'33)
· Tornate, o cari baci, SWV 16 (2'24)
· Di marmo siete voi, SWV 17 (2'46)
· Giunto è pur, Lidia, SWV 18 (2'59)
· Vasto mar, SWV 19 (3'40)
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